Original script Essay Example for Free

Original script Essay My character in this scene was Mrs Johnston she was very emotionally upset as her husband left her with seven children and two on the way. She wants her and her family to lead a good life and find wealth my characters function throughout the play is to give birth to the twins and tell the twins that they are brothers. The fact that Mrs Johnstons husband left her and she does not make that much money as she has no job and she is starting a new makes the character stronger and in this scene Mrs Johnston tell the audience this. The other scene that me and my grouped developed is the final scene in the play this is about Mickey (one of the twins) going round to see Eddie (the other twin) they still do not know if they are brothers. Mickey thinks that Eddie is having an affair with his wife Linda. This is the final scene this was from the original script and was the scene when the twins (Eddie and Mickey) both find out they are both brothers and this is also the scene when they both get killed by Mrs Lyons. In this scene there are 5 people involved Mrs Lyons, Mrs Johnston, Eddie, Mickey and the narrator. We looked at the scrip of this scene and read it between us. Even tough there is 5 people involved in this scene there was only 3 people in my group so we had to split characters and lines so that we could include all the characters. As we read the script we took important lines and highlighted them, we had to make sure all these lines were in the performance. For the characters I was Mickey, Fabien was Eddie and Natalie was Mrs Lyons and Mrs Johnston. We all split the important narrators lines. The performance was set up like this: K = Katie N = Natalie F = Fabien K stands on one side of the stage and say the narrators lines then K walks in to Fs office (the block) there is a thought-track of what K wants to happen then it goes back to that is really happening and they have an argument N walks in and tells the twins they are brothers then N turns around and as she turns back she is a different character the contrast changes and her mood as a different person is the opposite to what she was the twins both end up on the floor and N speaks the narrators lines and the brothers get up and repeat the past in a previous scene that had happened earlier in the play. We used still-imagery as the narrator was talking, we would come out of character and say the lines in neutral as there in no view from the narrator this would be done with neutral face expression. The thought-tracking we used was with Mickey (K) imagining what he is going to do when he moves into the office of Eddie (F). We made sure that when a character changed roles that the audience new about it with the change of tone and the different mood that changed when the character changed. We tried to create height with the block we used but also we created heights with our characters as one person would be at one height another person would be at a different one. We changed the tone of voice and accent when the character changed roles. When the narrator was talking at the end of the scene there was the miming of a scene that was earlier in the play. We also had music at the end to signify the end and to show what the play was about and this was the innocence of children and how they do not stereotype and distinguish classes of people. Evaluation I believe that I have learnt a grate deal about the play and the playwright I now understand a lot more about how to uses different drama techniques and use them together to crate different moods and styles. As we watched another groups performance of a scene in which they had developed we evaluated it and took these points into consideration: I believe this was to signify the distance between the two characters as in this scene they are having an argument. Ant the beginning of the scene there was mime I believe this worked well as this built up tension and created the mood as if we knew what was going to happen. Thai used a lot of the scrip in this scene but they added and developed a lot of text into it as this helped the audience understand more. There was a lot of different drama conventions used in this scene there was a few minuets in the middle of the scene when the two characters were having a fight and this was done so that the characters were not touching each other and the were both stood on different blocks there was music played in this section and it was really effective towards me, as the audience. Also there was a monologue done in this scene I liked this as it helped me to understand what was going on and how the character was felling at the time. I believe that more costume and props could have been used in this scene to help the characters develop more gestures. The use of space and height was very good in this play and because of this it was nice to watch and I enjoyed it. In all of the performances they could have been improved with time as we only had a short time to develop and rehearse the scenes we were still using scrips and this put the audience off what is actually happening. More costume and make up would of helped use create are characters more and also if we would of been able to use a stage it would of helped with the blocking and how the scene looked. I believe that the message of the play was that you cannot separate different classes of people as we are all the same inside also that the play had a very suppositious side to it and that fate cannot be controlled. Religion plays an important part in the play as the bible is used many times and signifies if something is said on the bible it will happen. The main context of the play is twins should not be separated and that the innocents of children should not be overlooked as they do not see different colours of skin and a difference of people with money and without money is not significant to them. The play was set in the early 1970 an example of an extract taken from the scrip is this Then of course I found that I was six weeks overdue We got married at the registry and then we had a do We all had curly salmon sandwiches and how the ale did flow; They said the bride was lovelier than Marilyn Monroe And we went dancing Marilyn Monroe was very big in the 1970s and it was also very looked down on if you had a child out of wed lock at this time. I enjoyed developing from this play as I have very strong views about the stereotypical view of people who have wealth. I believe that I began to understand more about the play now that I have preformed the different scenes and developed them with my own ideas. I believe that Billy Russell is a very talented writer and I would be interested in using or watching another one of his play as I believe that he writes most of it from experience and that it has a strong belief in all of the historical contexts his plays are about. I have learnt a lot about new drama techniques and how to use them together I believe that blood brothers was a very good play to use on paper 1 unit 2 as there was a lot to develop from the script and there was a lot to come out in between the lines! W did these brainstorms so that we could understand Mrs Lyons more as she was a completed character.

Essay on Internet Privacy :: Free Essays Online

Internet Privacy This world today seems to have no privacy on the Internet, despite the Governments effort to help the consumer regain their privacy. In 1997 the government passed the Consumer Internet Privacy Protection Act. Through this bill, the consumer has the right to all information that an Internet company has on them. The Internet Company cannot sell the information of that consumer without that consumer's written consent. The bill sounds really good doesn't it? If the bill is so great, how is it that our private information is still getting out there? Well, let's take a closer look. According to an article that I found through Yahoo!, companies are using the consumer's information as a company asset just in case the company was to go bankrupt. In the article it talks of how Amazon.com has reviewed it privacy policies and has decided to just get ready to sell anything they have on a consumer, such as; "names, shipping and billing addresses, credit card numbers, e-mail addresses, employers, gift wish lists, Social Secur i ty Numbers..." and so on and so forth. Isn't that scary, one day, a company is doing fine, getting all the information that they can on a person and saying that all information is secured, then the next day, they are going bankrupt and selling the informa t ion to whoever has the largest bid. Who would've thought that when you went to buy that thing you really wanted off the Internet, your information was being stored so it could be sold? How thoughtless of them. For me, I don't give out any information besi des my name, and who knows who has tha t. You may ask yourself, where does the Internet Privacy Act of 1997 play in this? I am wondering the same thing. Well, it obviously doesn't play a large role; Amozon.com has stopped letting their customers decline the option of letting their information be sold. Where is the government? Why aren't they stepping up? I thought that the reasoning behind this entire act was to protect consumers, I don't see any protection at all. There was a statement in the article that was previously mentioned that just took me by surprise. Patty Smith made it in regard to customer information, she said: ``We treat customer data with great care and consideration,'' she said, ``and we will continue to do so going forward.

Finagle A Bagels’ upside-down organization chart Essay

1.What does Finagle A Bagel’s upside-down organization chart suggest about the delegation of authority and coordination techniques within the company? Finagle A Bagels’ upside-down organization chart suggests that the people who are normally on top, support the people who are at the bottom, such as the general managers and workers. This gives general managers the authority to do whatever it takes to alleviate problems in their stores or increase sales. 2.Is Finagle A Bagel a tall or flat organization? How do you know? Finagle A Bagel is a Flat Organization. Flat organizations generally are more responsive to customer demands since decision making power may be given to lower-level employees which is what Finagle a bagel does. Whereas tall organizations have many layers of management which can cause communication to be distorted as if flows from one manager to next before reaching the employee dealing solely with the customer. 3.What values seem to saturate Finagle A Bagel’s corporate culture? The values that seem to permeate Finagles A Bagels’ corporate culture is team work, positive work ethic and strong a support system. 4.Why would Finagle A Bagel build a dough factory that has more capacity than the company needs to supply its stores and its wholesale customers? A reason why Finagle A bagel would build a dough factory that has more capacity than the company needs would be to account for future business growth. By purchasing a factory that is able to produce more then what they currently need, they are leaving open the option of expansion without having to spend more revenue on another factory to compensate for growth.

Emma Watsons UN Speech on Gender Equality

On Sep. 20,  2014, British actor and Goodwill Ambassador for U.N. Women Emma Watson  gave a smart, important, and moving speech about gender inequality and how to fight it. In doing so, she launched the HeForShe initiative, which aims to get men and boys to join the feminist fight for gender equality. In the speech, Watson made the important point that in order for gender equality to be achieved, harmful and destructive stereotypes of masculinity and behavioral expectations for boys and men have got to change. Biography Emma Watson is a British actress and model born in 1990, who is best known for her 10-year stint as Hermione Granger in the eight Harry Potter movies. Born in Paris, France to a pair of now-divorced British lawyers, she made a reported $15 million dollars for playing Granger in each of the last two Harry Potter films. Watson began taking acting classes at six years of age and was selected for the Harry Potter cast in 2001 at age nine. She attended the Dragon School at Oxford, and then the Headington private girls school. Eventually, she received a bachelors degree in English literature at Brown University in the United States. Watson has been actively involved in humanitarian causes for several years, working to promote fair trade and organic clothing, and as an ambassador for Camfed International, a movement to educate girls in rural Africa. Celebrity Feminism Watson is one of several women in the arts who have leveraged their high profile status to bring womens rights issues to the public eye. The list includes Jennifer Lawrence, Patricia Arquette, Rose McGowan, Annie Lennox, Beyonce, Carmen Maura, Taylor Swift, Lena Dunham, Katy Perry, Kelly Clarkson, Lady Gaga, and Shailene Woodley, although some have refused to self-identify as feminists. These women have been both celebrated and criticized for the positions they have taken; the term celebrity feminist is sometimes used to denigrate their credentials or question their authenticity, but there is no doubt that their championships of different causes have shed public light into myriad issues. The U.N. and HeForShe Eduardo Munoz Alvarez / Getty Images In 2014, Watson was named a U.N. Women Goodwill Ambassador by the United Nations, a program that actively involves prominent personalities in the fields of arts and sports to promote U.N. programs. Her role is to serve as an advocate for U.N. Womens gender equality campaign known as HeForShe. HeForShe, led by the U.N.s Elizabeth Nyamayaro and under the direction of Phumzile Mlambo-Ngcuka, is a program dedicated to improving the status of women and inviting men and boys around the world to stand in solidarity with women and girls as they make that make gender equality a reality. The speech at the United Nations was part of her official role as U.N. Women Goodwill Ambassador. Below is the  full transcript of her 13-minute speech; after that is a discussion of the speechs reception. Emma Watsons Speech at the U.N. Today we are launching a campaign called HeForShe. I am reaching out to you because we need your help. We want to end gender inequality, and to do this, we need everyone involved. This is the first campaign of its kind at the UN. We want to try to mobilize as many men and boys as possible to be advocates for change. And, we don’t just want to talk about it. We want to try and make sure that it’s tangible. I was appointed as Goodwill Ambassador for UN Women six  months ago. And, the more I spoke about feminism, the more I realized that fighting for women’s rights has too often become synonymous with man-hating. If there is one thing I know for certain, it is that this has to stop. For the record, feminism by definition is the belief that men and women should have equal rights and opportunities. It is the theory of political, economic and social equality of the sexes. I started questioning gender-based assumptions a long time ago. When I was 8, I was confused for being called bossy because I wanted to direct the plays that we would put on for our parents, but the boys were not. When at 14, I started to be sexualized by certain elements of the media. When at 15, my girlfriends started dropping out of sports teams because they didn’t want to appear muscly. When at 18, my male friends were unable to express their feelings. I decided that I was a feminist, and this seemed uncomplicated to me. But my recent research has shown me that feminism has become an unpopular word. Women are choosing not to identify as feminists. Apparently, I’m among the ranks of women whose expressions are seen as too strong, too aggressive, isolating, and anti-men. Unattractive, even. Why has the word become such an uncomfortable one? I am from Britain, and I think it is right I am paid the same as my male counterparts. I think it is right that I should be able to make decisions about my own body. I think it is right that women be involved on my behalf in the policies and decisions that will affect my life. I think it is right that socially, I am afforded the same respect as men. But sadly, I can say that there is no one country in the world where all women can expect to see these rights. No country in the world can yet say that they achieved gender equality. These rights, I consider to be human rights but I am one of the lucky ones. My life is a sheer privilege because my parents didn’t love me less because I was born a daughter. My school did not limit me because I was a girl. My mentors didn’t assume I would go less far because I might give birth to a child one day. These influencers were the gender equality ambassadors that made me who I am today. They may not know it, but they are the inadvertent feminists who are changing the world today. And we need more of those. And if you still hate the word, it is not the word that is important. It’s the idea and the ambition behind it, because not all women have received the same rights I have. In fact, statistically, very few have. In 1995, Hillary Clinton made a famous speech in Beijing about women’s rights. Sadly, many of the things that she wanted to change are still true today. But what stood out for me the most was that less than thirty percent of the audience were male. How can we effect change in the world when only half of it is invited or feel welcome to participate in the conversation? Men, I would like to take this opportunity to extend your formal invitation. Gender equality is your issue, too. Because to date, I’ve seen my father’s role as a parent being valued less by society, despite my need of his presence as a child, as much as my mother’s. I’ve seen young men suffering from mental illness, unable to ask for help for fear it would make them less of a man. In fact, in the UK, suicide is the biggest killer of men between 20 to 49, eclipsing road accidents, cancer and coronary heart disease. I’ve seen men made fragile and insecure by a distorted sense of what constitutes male success. Men don’t have the benefits of equality, either. We don’t often talk about men being imprisoned by gender stereotypes, but I can see that they are, and that when they are free, things will change for women as a natural consequence. If men don’t have to be aggressive in order to be accepted, women won’t feel compelled to be submissive. Both men and women should feel free to be sensitive. Both men and women should feel free to be strong. It is time that we all perceive gender on a spectrum, instead of two sets of opposing ideals. If we stop defining each other by what we are not, and start defining ourselves by who we are, we can all be freer, and this is what HeForShe is about. It’s about freedom. I want men to take up this mantle so that their daughters, sisters, and mothers can be free from prejudice, but also so that their sons have permission to be vulnerable and human too, reclaim those parts of themselves they abandoned, and in doing so, be a more true and complete version of themselves. You might be thinking, â€Å"Who is this Harry Potter girl, and what is she doing speaking at the UN?† And, it’s a really good question. I’ve been asking myself the same thing. All I know is that I care about this problem, and I want to make it better. And, having seen what I’ve seen, and given the chance, I feel it is my responsibility to say something. Statesman Edmund Burke said, â€Å"All that is needed for the forces of evil to triumph is for good men and women to do nothing.† In my nervousness for this speech and in my moments of doubt, I told myself firmly, â€Å"If not me, who? If not now, when?† If you have similar doubts when opportunities are presented to you, I hope those words will be helpful. Because the reality is that if we do nothing, it will take seventy-five years, or for me to be nearly 100 before women can expect to be paid the same as men for the same work. 15.5 million girls will be married in the next 16 years as children. And at current rates it won’t be until 2086 before all rural African girls will be able to receive a secondary education. If you believe in equality, you might be one of those inadvertent feminists that I spoke of earlier, and for this, I applaud you. We are struggling for a uniting word, but the good news is, we have a uniting movement. It is called HeForShe. I invite you to step forward, to be seen and to ask yourself, â€Å"If not me, who? If not now, when?† Thank you very, very much. Reception Most of the public reception for Watsons speech has been positive: The speech got a thunderous standing ovation at U.N. headquarters; Joanna Robinson writing in Vanity Fair called the speech impassioned; and Phil Plait writing in Slate called it stunning. Some positively compared Watsons speech with Hilary Clintons speech to the U.N. 20 years earlier. Other press reports have been less positive. Roxane Gay writing in The Guardian, expressed her frustration that the idea of women asking for the rights that men already have only sells when delivered in the right package: a particular kind of beauty, fame, and/or self-deprecating brand of humor. Feminism should not be something that needs a seductive marketing campaign, she said. Julia Zulwer writing in Al Jazeera wondered why the United Nations picked a foreign, distant figure to be the representative for the women of the world. Maria Jose Gà ¡mez Fuentes and colleagues argue that the HeForShe movement as expressed in Watsons speech is an innovative attempt to connect with the experiences of many women, without focusing on the trauma. However, the HeForShe movement asks for the activation of action by the people who hold power. That, say the scholars, denies the agency of women as the subjects of violence, inequality, and oppression, instead giving men the ability to restore this lack of agency, to empower the women and offer them freedom. The will to eradicate gender inequality depends on the will of the males, which is not a traditional feminist principle. The MeToo Movement However, all of this negative reaction predates the #MeToo movement, and the election of Donald Trump, as of course did Watsons speech. There are some signs that feminists of all stripes and across the world are feeling rejuvenated by the open criticism and in many cases the fall of very powerful men because they abused that power. In March of 2017, Watson met and discussed gender equality issues with bell hooks, a powerful icon of the feminist movement since the 1960s. As Alice Cornwall puts it, shared outrage can offer a powerful basis for connection and solidarity that can reach across the differences that might otherwise divide us. And as Emma Watson says, If not me, who? If not now, when? Sources Brady, Anita. Taking Time between G-String Changes to Educate Ourselves: Sinà ©ad O’Connor, Miley Cyrus, and Celebrity Feminism. Feminist Media Studies 16.3 (2016): 429-44. Print.Cornwall, Andrea. Taking Off International Developments Straightjacket of Gender. Brown Journal of World Affairs 21.1 (2014-2015): 127-39. Print.Gà ¡mez Fuentes, Marà ­a Josà ©, Emma Gà ³mez Nicolau, and Rebeca Maseda Garcà ­a. Celebrities, Gender-Based Violence and Womens Rights: Towards the Transformation of the Framework of Recognition. Revista Latina de Comunicacià ³n Social, 71 (2016): 833-52. Print.Gay, Roxane. Emma Watson? Jennifer Lawrence? These Arent the Feminists Youre Looking For. The Guardian October 14, 2014. Web, accessed February 16, 2018.Hamad, Hannah, and Anthea Taylor. Introduction: Feminism and Contemporary Celebrity Culture. Celebrity Studies 6.1 (2015): 124-27. Print.Kennelly, Alexah. #Activism: Identity, Affiliation, and Political Discourse-Making on Twitter. The Arbutus Review 6.1 (2015). Print.MacDonald, Fiona. Knocking Down Walls in Political Science: In Defense of an Expansionist Feminist Agenda. Canadian Journal of Political Science 50.2 (2017): 411-26. Print.Matos, Julie. Womens Rights in Public Address: A Feminist Rhetorical Critique. Colloquy 11 (2015): 1-22. Print.Plait, Phil. I Stand with Emma Watson. Slate September 23, 2014. Web, accessed February 16, 2018.Rottenberg, Catherine. Neoliberal Feminism and the Future of Human Capital. Signs: Journal of Women in Culture and Society 42.2 (2017): 329-48. Print.Zulver, Julia. Is Emma Watson the Right Woman For the Job? Al Jazeera September 24, 2014. Web, accessed February 16, 2018.